Books for Review
Books for Review
Book reviews are up to 1,000 words long and should be guided by a discussion of the engaged debate, position the book in its field of literature and give a few points of information on the author’s background. Book reviewers should neither be uncritically advocating for the book by offering an overly meticulous summary without analysis, nor should they take the book that is to be discussed as an occasion for presenting the reviewer’s own views on a theme or topic. Book reviews are assessed by the Editors.
AlterNative acknowledges the long history of harmful Western research practices that have appropriated Indigenous knowledges and cultures and been enormously damaging to Indigenous peoples and communities. As such, please consider the following questions in writing your review:
- What is the standpoint from which the author speaks in relation to Indigenous peoples? Does the author respect Indigenous ways of knowing, being and doing on an equal basis with the knowledge-ways of the West?
- How does the author describe Indigenous peoples and knowledges? Does the author employ language that implicitly assumes that Indigenous systems are inferior to Western systems (for example by describing Indigenous knowledges, cultures and histories using terms such as: irrational, primitive, unscientific, naïve, simple, folklore, stone age, or pre-history)
To the extent that this can be determined, what was the research process for producing the work and was that process ethical? For example, if the work being reviewed includes Indigenous knowledge such as a cultural narrative, the issues to be considered include whether the rights of Indigenous knowledge-holders have been protected (for example, do they hold copyright in their narrative) and what (if any) benefits the knowledge-holders and/or their communities derive from the research. Some jurisdictions will have best practice guidelines for research relating to Indigenous peoples that give an indication of the issues in relation to research – for example, in Australia, the Australian Institute of Aboriginal and Torres Strait Islander Studies Guidelines for Ethical Research, the Te Ara Tika guidelines in New Zealand, or in Canada, the SSHRC Aboriginal Research Statement of Principles For further information on AlterNative's Submission Guidelines, click here
To inquire as to the availability of a specific book, please cite the assigned ALT CODE in the subject line when contacting firstname.lastname@example.org
The current listing of all books available for review:
Mapping Modernisms: Art, Indigeneity, Colonialism
Elizabeth Harney and Ruth B. Phillips, Editors
Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, W. Jackson Rushing, Damian Skinner, Nicholas Thomas, Norman Vorano, Authors
Publisher: Duke University Press, 2019 https://www.dukeupress.edu/mapping-modernisms
Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world.
To inquire, click here: ALT CODE: BR-01/19
Speaking of Indigenous Politics: Conversations with Activists, Scholars, and Tribal Leaders
J. Kēhaulani Kauanui, Editor
Foreword by Robert Warrior
Publisher: Unversity of Minnesota Press, 2018 https://www.upress.umn.edu/book-division/books/speaking-of-indigenous-politics
“A lesson in how to practice recognizing the fundamental truth that every inch of the Americas is Indigenous territory.” —Robert Warrior, from the Foreword
On her radio program Indigenous Politics, J. Kēhaulani Kauanui talked candidly and in an engaging way about how settler colonialism depends on erasing Native peoples and about how Native peoples can and do resist, bringing Indigenous activism to the mainstream. Collected here, these conversations speak with clear and compelling voices about a range of Indigenous politics that shape everyday life.
To inquire, click here: ALT CODE: BR-01/18
Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples
Gregory Younging, Author
Publisher: Brush Education Inc., 2018 https://www.brusheducation.ca/books/elements-of-indigenous-style
Elements of Indigenous Style offers Indigenous writers and editors—and everyone creating works about Indigenous Peoples—the first published guide to common questions and issues of style and process. Everyone working in words or other media needs to read this important new reference, and to keep it nearby while they’re working.
This guide features:
- Twenty-two succinct style principles.
- Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge.
- Terminology to use and to avoid.
- Advice on specific editing issues, such as biased language, capitalization, and quoting from historical sources and archives.
- Case studies of projects that illustrate best practices.
To inquire, click here: ALT CODE: BR-02/18
Naming the World: Language and Power Among the Northern Arapaho
Andrew Cowell, Author
Publisher: The University of Arizona Press, 2018 https://uapress.arizona.edu/book/naming-the-world
Naming the World examines language shift among the Northern Arapaho of the Wind River Reservation, Wyoming, and the community’s diverse responses as it seeks social continuity. Andrew Cowell argues that, rather than a single “Arapaho culture,” we find five distinctive communities of practice on the reservation, each with differing perspectives on social and more-than-human power and the human relationships that enact power.
As the Arapaho people resist Euro-American assimilation or domination, the Arapaho language and the idea that the language is sacred are key rallying points—but also key points of contestation. Cowell finds that while many at Wind River see the language as crucial for maintaining access to more-than-human power, others primarily view the language in terms of peer-oriented identities as Arapaho, Indian, or non-White. These different views lead to quite different language usage and attitudes in relation to place naming, personal naming, cultural metaphors, new word formation, and the understudied practice of folk etymology.
Cowell presents data from conversations and other natural discourse to show the diversity of everyday speech and attitudes, and he links these data to broader debates at Wind River and globally about the future organization of indigenous societies and the nature of Arapaho and indigenous identity.
To inquire, click here: ALT CODE: BR-03/18
Report of an Inquiry into an Injustice:Begade Shutagot’ine and the Sahtu Treaty
Peter Kulchyski, Author
Publisher: University of Manitoba Press, 2018 https://uofmpress.ca/books/detail/report-of-an-inquiry-into-an-injustice
A Report of an Inquiry into an Injustice chronicles Peter Kulchyski’s experiences with the Begade Shutagot’ine, a small community of a few hundred people living in and around Tulita (formerly Fort Norman), on the Mackenzie River in the heart of Canada’s Northwest Territories. Despite their formal objections and boycott of the agreement, the band and their lands were included in the Sahtu treaty, a modern comprehensive land claims agreement negotiated between the Government of Canada and the Sahtu Tribal Council, representing Dene and Metis peoples of the region. While both Treaty Eleven (1921) and the Sahtu Treaty (1994) purport to extinguish Begade Shutagot’ine Aboriginal title, oral history and documented attempts to exclude themselves from treaty strongly challenge the validity of that extinguishment.
Structured as a series of briefs to an inquiry into the Begade Shutagot’ine’s claim, this manuscript documents the negotiation and implementation of the Sahtu treaty and amasses evidence of historical and continued presence and land use to make eminently clear that the Begade Shutagot’ine are the continued owners of the land by law: they have not extinguished title to their traditional territories; they continue to exercise their customs, practices, and traditions on those territories; and they have a fundamental right to be consulted on, and refuse or be compensated for, development projects on those territories. Kulchyski bears eloquent witness to the Begade Shutagot’ine people’s two-decade struggle for land rights, which have been blatantly ignored by federal and territorial authorities for too long.
To inquire, click here: ALT CODE: BR-04/18
Global Indigenous Health: Reconciling the Past, Engaging the Present, Animating the Future
Robert Henry, Amanda LaVallee, Nancy Van Styvendale, Robert Alexander Innes, Editors
Publisher: The University of Arizona Press, 2018 https://uapress.arizona.edu/book/global-indigenous-health
Indigenous peoples globally have a keen understanding of their health and wellness through traditional knowledge systems. In the past, traditional understandings of health often intersected with individual, community, and environmental relationships of well-being, creating an equilibrium of living well. However, colonization and the imposition of colonial policies regarding health, justice, and the environment have dramatically impacted Indigenous peoples’ health.
Building on Indigenous knowledge systems of health and critical decolonial theories, the volume’s contributors—who are academic and community researchers from Canada, the United States, Sweden, and New Zealand—weave a narrative to explore issues of Indigenous health within four broad themes: ethics and history, environmental and ecological health, impacts of colonial violence on kinship, and Indigenous knowledge and health activism. Chapters also explore how Indigenous peoples are responding to both the health crises in their communities and the ways for non-Indigenous people to engage in building positive health outcomes with Indigenous communities.
Global Indigenous Health is unique and timely as it deals with the historical and ongoing traumas associated with colonization and colonialism, understanding Indigenous concepts of health and healing, and ways of moving forward for health equity.
To inquire, click here: ALT CODE: BR-05/18
Rooster Town: The History of an Urban Métis Community, 1901–1961
Evelyn Peters, Matthew Stock, Adrian Werner, Authors
Publisher: Univrersity of Manitoba Press, 2018 https://uofmpress.ca/books/detail/rooster-town
Melonville. Smokey Hollow. Bannock Town. Fort Tuyau. Little Chicago. Mud Flats. Pumpville. Tintown. La Coulee. These were some of the names given to Métis communities at the edges of urban areas in Manitoba. Rooster Town, which was on the outskirts of southwest Winnipeg, endured from 1901 to 1961.
Those years in Winnipeg were characterized by the twin pressures of depression and inflation, chronic housing shortages, and a spotty social support network. At the city’s edge, Rooster Town grew without city services as rural Métis arrived to participate in the urban economy and build their own houses while keeping Métis culture and community as a central part of their lives.
In other growing settler cities, the Indigenous experience was largely characterized by removal and confinement. But the continuing presence of Métis living and working in the city, and the establishment of Rooster Town itself, made the Winnipeg experience unique.
Rooster Town documents the story of a community rooted in kinship, culture, and historical circumstance, whose residents existed unofficially in the cracks of municipal bureaucracy, while navigating the legacy of settler colonialism and the demands of modernity and urbanization.
To inquire, click here: ALT CODE: BR-06/18
Paradoxes of Hawaiian Sovereignty: Land, Sex, and the Colonial Politics of State Nationalism
J. Kehaulani Kauanui, Author
Publisher: Duke University Press, 2018 https://www.dukeupress.edu/paradoxes-of-hawaiian-sovereignty
In Paradoxes of Hawaiian Sovereignty J. Kehaulani Kauanui examines contradictions of indigeneity and self-determination in U.S. domestic policy and international law. She theorizes paradoxes in the laws themselves and in nationalist assertions of Hawaiian Kingdom restoration and demands for U.S. deoccupation, which echo colonialist models of governance. Kauanui argues that Hawaiian elites' approaches to reforming and regulating land, gender, and sexuality in the early nineteenth century that paved the way for sovereign recognition of the kingdom complicate contemporary nationalist activism today, which too often includes disavowing the indigeneity of the Kanaka Maoli (Indigenous Hawaiian) people. Problematizing the ways the positing of the Hawaiian Kingdom's continued existence has been accompanied by a denial of U.S. settler colonialism, Kauanui considers possibilities for a decolonial approach to Hawaiian sovereignty that would address the privatization and capitalist development of land and the ongoing legacy of the imposition of heteropatriarchal modes of social relations.
To inquire, click here: ALT CODE: BR-07/18
Unsustainable Empire: Alternative Histories of Hawai‘i Statehood
Saranillio, Dean Itsuji, Author
Publisher: Duke University Press, 2018 https://www.dukeupress.edu/unsustainable-empire
In Unsustainable Empire Dean Itsuji Saranillio offers a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state. Hawai‘i statehood is popularly remembered as a civil rights victory against racist claims that Hawai‘i was undeserving of statehood because it was a largely non-white territory. Yet Native Hawaiian opposition to statehood has been all but forgotten. Saranillio tracks these disparate stories by marshaling a variety of unexpected genres and archives: exhibits at world's fairs, political cartoons, propaganda films, a multimillion-dollar hoax on Hawai‘i’s tourism industry, water struggles, and stories of hauntings, among others. Saranillio shows that statehood was neither the expansion of U.S. democracy nor a strong nation swallowing a weak and feeble island nation, but the result of a U.S. nation whose economy was unsustainable without enacting a more aggressive policy of imperialism. With clarity and persuasive force about historically and ethically complex issues, Unsustainable Empire provides a more complicated understanding of Hawai‘i’s admission as the fiftieth state and why Native Hawaiian place-based alternatives to U.S. empire are urgently needed.
To inquire, click here: ALT CODE: BR-08/18
Verksted Series: Sovereign Words. Indigenous Art, Curation and Criticism
Katya García-Antón, Author & Editor
Daniel Browning, Kabita Chakma, Megan Cope, Kumar Das Santosh, Hannah Donnelly, Léuli Māzyār Lunaʻi Eshrāghi, David Garneau, Biung Ismahasan, Kimberley Moulton, Máret Ánne Sara, Venkat Raman Singh Shyam, Irene Snarby, Ánde Somby, Megan Tamati-Quenell, Prashanta Tripura, Santosh Bikash Tripura, Authors
Publisher: OCA / Valiz, 2018 https://www.oca.no/publications/verksted/sovereign-words-indigenous-art-curation-and-criticism/
Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their art collections and exhibitions, this publication draws upon the challenges faced today by cultural workers, Indigenous and non-Indigenous, to engage meaningfully and ethically with the histories, presents and futures of Indigenous cultural practices and world-views.
Sixteen Indigenous voices convene to consider some of the most burning questions surrounding this field. How will novel methodologies of word/voice-crafting be constituted to empower the Indigenous discourses of the future? Is it sufficient to expand the Modernist art-historical canon through the politics of inclusion? Is this expansion a new form of colonisation, or does it foster the cosmopolitan thought that Indigenous communities have always inhabited? To whom does the much talked-of ‘Indigenous Turn’ belong? Does it represent a hegemonic project of introspection and revision in the face of today’s ecocidal, genocidal and existential crises?
A first of its kind reader of Indigenous voices, Sovereign Words charts perspectives across art and film, ethics and history, theory and the museological field. With the canonical power systems of the international art world increasingly under fire today, the book makes a strong bid for knowledge building and intellectual alliances that will inform the cultural and artistic processes of Indigenous and non-Indigenous futures.
To inquire, click here: ALT CODE: BR-09/18
Unruly Visions: The Aesthetic Practices of Queer Diaspora
Gayatri Gopinath, Author
Publisher: Duke University Press, 2018 https://www.dukeupress.edu/unruly-visions
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optics produced by these visual practices creates South-to-South, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes.
To inquire, click here: ALT CODE: BR-10/18
Savage Kin: Indigenous Informants and American Anthropologists
Margaret M. Bruchac, Author
Foreword by Melissa Fawcett Tantaquidgeon Zobel
Publisher: The University of Arizona Press, 2018 https://uapress.arizona.edu/book/savage-kin
In this provocative new book, Margaret M. Bruchac, an Indigenous anthropologist, turns the word savage on its head. Savage Kin explores the nature of the relationships between Indigenous informants, such as Gladys Tantaquidgeon (Mohegan), Jesse Cornplanter (Seneca), and George Hunt (Tlingit), and early twentieth-century anthropological collectors, such as Frank Speck, Arthur C. Parker, William N. Fenton, and Franz Boas.
This book reconceptualizes the intimate details of encounters with Native interlocutors who by turns inspired, facilitated, and resisted the anthropological enterprise. Like other texts focused on this era, Savage Kin features some of the elite white men credited with salvaging material that might otherwise have been lost. Unlike other texts, this book highlights the intellectual contributions and cultural strategies of unsung Indigenous informants without whom this research could never have taken place.
These bicultural partnerships transgressed social divides and blurred the roles of anthropologist/informant, relative/stranger, and collector/collected. Yet these stories were obscured by collecting practices that separated people from objects, objects from communities, and communities from stories. Bruchac’s decolonizing efforts include “reverse ethnography”—painstakingly tracking seemingly unidentifiable objects, misconstrued social relations, unpublished correspondence, and unattributed field notes—to recover this evidence. Those early encounters generated foundational knowledges that still affect Indigenous communities today.
Savage Kin also contains unexpected narratives of human and other-than-human encounters—brilliant discoveries, lessons from ancestral spirits, prophetic warnings, powerful gifts, and personal tragedies—that will move Native and non-Native readers alike.
To inquire, click here: ALT CODE: BR-11/18
Big Water: The Making of the Borderlands Between Brazil, Argentina, and Paraguay
Jacob Blanc and Frederico Freitas Editors
Shawn Michael Austin, Jacob Blanc, Bridget María Chesterton, Christine Folch, Zephyr Frank, Frederico Freitas, Michael Kenneth Huner, Evaldo Mendes da Silva, Eunice Sueli Nodari, Graciela Silvestri, Guillermo Wilde, Daryle Williams, Authors
Foreword by Zephyr Frank
Publisher: The University of Arizona Press, 2018 https://uapress.arizona.edu/book/big-water
Big Water explores four centuries of the overlapping histories of Brazil, Argentina, and Paraguay (the Triple Frontier), and the colonies that preceded them. Examining an important area that includes some of the first national parks established in Latin America and one of the world’s largest hydroelectric dams, this transnational approach illustrates how these three nation-states have interacted over time.
From the Jesuit reductions in the seventeenth century to the flows of capital and goods accelerated by contemporary trade agreements, the Triple Frontier region has proven fundamental to the development of Brazil, Argentina, and Paraguay, as well as to the Southern Cone and South America itself. Although historians from each of these three countries have tended to construct narratives that stop at their respective borders, the contributors call for a reinterpretation that goes beyond the material and conceptual boundaries of the Triple Frontier. In offering a transnational approach, Big Water helps transcend nation-centered blind spots and approach new understandings of how space and society have developed throughout Latin America.
These essays complicate traditional frontier histories and balance the excessive weight previously given to empires, nations, and territorial expansion. Overcoming stagnant comparisons between national cases, the research explores regional identity beyond border and geopolitical divides. Thus, Big Water focuses on the uniquely overlapping character of the Triple Frontier and emphasizes a perspective usually left at the periphery of national histories.
To inquire, click here: ALT CODE: BR-12/18
Between the Andes and the Amazon: Language and Social Meaning in Bolivia
Anna M. Babel, Author
Publisher: The University of Arizona Press, 2018 https://uapress.arizona.edu/book/between-the-andes-and-the-amazon
Why can’t a Quechua speaker wear pants? Anna M. Babel uses this question to open an analysis of language and social structure at the border of eastern and western, highland and lowland Bolivia. Through an exploration of categories such as political affiliation, ethnic identity, style of dress, and history of migration, she describes the ways that people understand themselves and others as Quechua speakers, Spanish speakers, or something in between.
Between the Andes and the Amazon is ethnography in storytelling form, a rigorous yet sensitive exploration of how people understand themselves and others as members of social groups through the words and languages they use.
Drawing on fifteen years of ethnographic research, Babel offers a close examination of how people produce oppositions, even as they might position themselves “in between” those categories. These oppositions form the raw material of the social system that people accept as “normal” or “the way things are.” Meaning-making happens through language use and language play, Babel explains, and the practice of using Spanish versus Quechua is a claim to an identity or a social position. Babel gives personal perspectives on what it is like to live in this community, focusing on her own experiences and those of her key consultants. Between the Andes and the Amazon opens new ways of thinking about what it means to be a speaker of an indigenous or colonial language—or a mix of both.
To inquire, click here: ALT CODE: BR-13/18
Pan-Tribal Activism in the Pacific Northwest: The Power of Indigenous Protest and the Birth of Daybreak Star Cultural Center
Vera Parham, Author
Publisher: Rowman & Littlefield - Lexington Books, 2018 https://rowman.com/ISBN/9781498559515/Pan-Tribal-Activism-in-the-Pacific-Northwest-The-Power-of-Indigenous-Protest-and-the-Birth-of-Daybreak-Star-Cultural-Center#
On September 27, 1975, activist Bernie Whitebear (Sin Aikst) and Seattle Mayor Wes Uhlman broke ground on former Fort Lawton lands, just outside Seattle Washington, for the construction of the Daybreak Star Indian Cultural Center. The groundbreaking was the culmination of years of negotiations and legal wrangling between several government entities and the United Indians of All Tribes, the group that occupied the Fort lands in 1970. The peaceful event and sense of co-operation stood in marked contrast to the turbulent and sometimes violent occupation of the lands years before. Native Americans who joined the UIAT came from all parts of the Pacific Northwest and beyond. Inspired by the Civil Rights and protest era of the 1960s and 1970s, they squared off with local and federal government to demand the protection of civil and political rights and better social services. Both the scope and the purpose of this book are manifold. The first purpose is to challenge the predominant narrative of Anglo American colonization in the region and re-assert self-determination by re-defining the relationship between Pacific Northwest Native Americans, the larger population of Washington State, and government itself. The second purpose is to illustrate the growth in Pan-Indian/Pan-Tribal activism in the second half of the twentieth century in an attempt to place the Pacific Northwest Native American protests into a broader context and to amend the scholarly and popular trope which characterizes the Red Power movement of the 1960s as the creation of the American Indian Movement (AIM). In this book, casual students of history as well as academics will find that Fort Lawton represents the zone of conflict and compromise occupied by Indigenous people of the Pacific Northwest in their ongoing struggle with colonial society.
To inquire, click here: ALT CODE: BR-14/18
A World of Many Worlds
Marisol de la Cadena and Mario Blaser, Editors
John Law, Alberto Corsín Jiménez, Isabelle Stengers, Helen Verran, Deborah Danowski, Marianne Elisabeth Lien, Eduardo Viveiros de Castro, Marilyn Strathern, Authors
Publisher: Duke University Press, 2018 https://www.dukeupress.edu/a-world-of-many-worlds
A World of Many Worlds is a search into the possibilities that may emerge from conversations between indigenous collectives and the study of science's philosophical production. The contributors explore how divergent knowledges and practices make worlds. They work with difference and sameness, recursion, divergence, political ontology, cosmopolitics, and relations, using them as concepts, methods, and analytics to open up possibilities for a pluriverse: a cosmos composed through divergent political practices that do not need to become the same.
To inquire, click here: ALT CODE: BR-15/18
Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds
Arturo Escobar, Author
Publisher: Duke University Press, 2017 https://www.dukeupress.edu/designs-for-the-pluriverse
In Designs for the Pluriverse Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues for the development of an “autonomous design” that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design’s principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.
To inquire, click here: ALT CODE: BR-01/17
Inuit Qaujimajatuqangit: What Inuit Have Always Known to Be True
Joe Karetak, Frank Tester and Shirley Tagalik, Editors
Publisher: Fernwood Publishing, 2017 https://fernwoodpublishing.ca/book/inuit-qaujimajatuqangit
The Inuit have experienced colonization and the resulting disregard for the societal systems, beliefs and support structures foundational to Inuit culture for generations. While much research has articulated the impacts of colonization and recognized that Indigenous cultures and worldviews are central to the well-being of Indigenous peoples and communities, little work has been done to preserve Inuit culture. Unfortunately, most people have a very limited understanding of Inuit culture, and often apply only a few trappings of culture — past practices, artifacts and catchwords —to projects to justify cultural relevance.
Inuit Qaujimajatuqangit — meaning all the extensive knowledge and experience passed from generation to generation — is a collection of contributions by well- known and respected Inuit Elders. The book functions as a way of preserving important knowledge and tradition, contextualizing that knowledge within Canada’s colonial legacy and providing an Inuit perspective on how we relate to each other, to other living beings and the environment.
To inquire, click here: ALT CODE: BR-02/17
Grounded Authority: The Algonquins of Barriere Lake against the State
Shiri Pasternak, Author
Publisher: University of Minnesota Press, 2017 https://www.upress.umn.edu/book-division/books/grounded-authority
A rare, in-depth critique of federal land claims policy in Canada.
From the perspective of Indigenous law and jurisdiction, Shiri Pasternak tells the story of the Algonquins of Barriere Lake, in western Quebec, and their tireless resistance to federal land claims policy. A rigorous account of the Algonquins’ incredible struggle, Grounded Authority provides a vital contribution to current debates in the study of colonialism and Indigenous peoples in North America and globally.
Grounded Authority is a powerful and compelling study based upon a sophisticated grasp of Indigenous politics, settler colonial logics, and political theory.
—Kevin Bruyneel, author of The Third Space of Sovereignty: The Postcolonial Politics of U.S.–Indigenous Relations
To inquire, click here: ALT CODE: BR-03/17
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Becca Gercken and Julie Pelletier, Editors
Publisher: Michigan State University Press, 2017 http://msupress.org/books/book/?id=50-1D0-3FE1#.XEUrclUzbX4
In the decades since the passing of the Pamajewon ruling in Canada and the Indian Gaming Regulatory Act in the United States, gaming has come to play a crucial role in how Indigenous peoples are represented and read by both Indians and non-Indians alike. This collection presents a transnational examination of North American gaming and considers the role Indigenous artists and scholars play in producing depictions of Indigenous gambling. In an effort to offer a more complete and nuanced picture of Indigenous gaming in terms of sign and strategy than currently exists in academia or the general public, Gambling on Authenticity crosses both disciplinary and geographic boundaries. The case studies presented offer a historically and politically nuanced analysis of gaming that collectively creates an interdisciplinary reading of gaming informed by both the social sciences and the humanities. A great tool for the classroom, Gambling on Authenticity works to illuminate the not-so-new Indian being formed in the public's consciousness by and through gaming.
To inquire, click here: ALT CODE: BR-04/17
Marking Indigeneity: The Tongan Art of Sociospatial Relations
Tevita O. Ka'ili, Author
Foreword by‘Okusitino Mahina
Publisher: The University of Arizona Press, 2017 https://uapress.arizona.edu/book/marking-indigeneity
Tongans, the native people of the Kingdom of Tonga in the South Pacific, are a highly mobile indigenous group. Like their seafaring ancestors, they are constantly on the move across ta (time) and va (space). Carrying their traditions with them, Tongans living in Maui, Hawai‘i, actively mediate those dimensions by extending the time-space structure of certain activities and places in order to practice tauhi va—the marking of time to sustain harmonious relations and create beautiful sociospatial relations.
In Marking Indigeneity, Tevita O. Ka‘ili examines the conflicts and reconciliation of indigenous time-space within the Tongan community in Maui, as well as within the time-space of capitalism. Using indigenous theory, he provides an ethnography of the social relations of the highly mobile Tongans.
Focusing on tauhi va, Ka‘ili notes certain examples of this time marking: the faikava gatherings that last from sunset to sunrise, long eating gatherings, long conversations (talanoa), the all-night funeral wakes, and the early arrival to and late departure from meetings and celebrations. Ka‘ili also describes the performing art of tauhi va, which creates symmetry through the performance of social duties (fatongia). This gives rise to powerful feelings of warmth, elation, and honor among the performers. Marking Indigeneity offers an ethnography of the extension of time-space that is rooted in ancient Moana oral traditions, thoughtfully illustrating the continuation of these traditions.
To inquire, click here: ALT CODE: BR-05/17
Floating Islanders: Pasifika Theatre in Aotearoa
Lisa Warrington and David O'Donnell, Authors
Publisher: Otago University Press, 2017 https://www.otago.ac.nz/press/books/otago668858.html
‘We float – we’re not based in one place – we’re floating Islanders. I always come back to theatre, theatre is my first home.’ – Makerita Urale
Floating Islanders: Pasifika Theatre in Aotearoa celebrates 30 rich years of Pasifika theatre in Aotearoa/New Zealand. Authors Lisa Warrington and David O’Donnell have interviewed over 30 theatre practitioners – playwrights, directors and performers whose heritage lies in Samoa, Niue, Fiji, Tonga, Tokelau and the Cook Islands.
This book features the achievements of many individuals and theatre companies, including Pacific Underground, Pacific Theatre Inc, The Laughing Samoans, The Conch, The Naked Samoans, Black Friars, We Should Practice and Kila Kokonut Krew amongst others, and provides a vivid and insightful guide to the diversity of styles and themes of Pasifika theatre.
The immigrant experience of living in two worlds is often seen as troubled, but co-author Lisa Warrington says this ‘in-between-ness’ has been turned to advantage in Pasifika theatre to create unique and often subversive performances.
“Pasifika theatre has become a major platform of expression for stories of the Pacific diaspora, with themes such as migration, family, cultural identity and the questioning of stereotypes,” says Warrington.
Not only is Pasifika theatre a success story within the performing arts in New Zealand, it is also an intriguing case study of migrant theatre that has international resonance, says co-author David O’Donnell.
“These artists are part of a larger movement of Pasifika creativity in visual arts, music, film, television and literature. They demonstrate creative energy, humour and enterprise, and embrace collective creation and cross-cultural input.”
Floating Islanders features a comprehensive performance listing as well as 32 pages of stunning colour and black and white photographs of practitioners and performances.
To inquire, click here: ALT CODE: BR-06/17
Being Together in Place: Indigenous Coexistence in a More Than Human World
Soren C. Larsen and Jay T. Johnson, Authors
Foreword by Daniel R. Wildcat
Publisher: University of Minnesota Press, 2017 https://www.upress.umn.edu/book-division/books/being-together-in-place
How place summons Native and non-Native people into dialogue to take up the challenging work of coexistence with each other and the nonhuman world
Being Together in Place explores the landscapes that convene Native and non-Native people into sustained and difficult negotiations over their radically different interests. Using ethnographic research and a geographic perspective, this book shows activists in three sites learning how to articulate and defend their intrinsic and life-supportive ways of being—particularly to those who are intent on damaging these places.
To inquire, click here: ALT CODE: BR-07/17