Abstract
Kia tupu whakaritorito te tupu o te harakeke
Set the overgrown bush alight and the new flax shoots will spring up
A literal translation of this proverb illustrates the task of custodianship exercised by traditional weavers thus ensuring the sustainability of flax, arguably the most precious plant to the early Māori. One of the conditions required to ensure both continuity and quality of the resource is that the overgrowth be set alight. The practice of burning and clearing to assist new life is imperative to the durability of the plant and quality of the fibre. Metaphorically, the saying means clear off the old and bad that the new and good may grow vigorously. Proverbially, the process can also symbolize the regeneration, renewal, and development of the line of human descent and of the kin based corporate structures (Walker, 1996) of whānau, hapū and iwi. For Māori, the flax plant supplies medicine but more importantly, the woven product provided material for basic needs of shelter, clothing, hunting and gathering equipment, lashings and cord. Art forms such as decorated tukutuku interior design panels and whariki large woven mats of intricate design. Prized traditional cloaks are created from muka – a soft fibre produced from scraping the leaves of flax.